PerformCzech SKILLS: Drama Revival

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The project focuses on the creation, translation and circulation of new plays. Its core is the creation of 4 new theatre texts for young audiences that reflect the current social and political situation in the Central and Eastern European region. The texts are written by authors from the Czech Republic, Slovakia and Ukraine Dagmar Fričová, Oksana Grytsenko, Alžběta Vrzgula and Tomáš Ráliš under the guidance of local and international mentors. The project also results are also translations of these newly written texts into English, Czech or Slovak and Ukrainian and their presentation in the form of rehearsed readings connected with a conference focused on contemporary drama.

International Conference Drama Revival: Creation, Translation and Circulation of Contemporary Drama from the Central and Eastern European Region


A studio Rubín, Malostranské nám. 9, 118 00 Praha 1

13.11. 14:30 – 17:00

The conference will present the results of the educational and networking project PerformCzech SKILLS: Drama Revival from the point of view of experts in contemporary drama, mentors, translators and authors who were directly involved in its various phases. The programme will be divided into three thematic blocks. The first part will focus on issues and tools to support the international circulation of new plays. The second block will focus on the possibilities of supporting authors in writing plays and the methodology of mentoring. In the final block, the authors involved will provide feedback on the project’s progress and the translators will share their experiences with translating several versions of the texts written within the project.

PROGRAM

PROBLEMS AND TOOLS TO SUPPORT THE CIRCULATION OF NEW PLAYS
14:30-15:15
Speakers: Olga Baibak (Ukraine – video contribution), Dušan Poliščák (Slovakia), Lucie Ondra Ferenzová (Czech Republic), Martina Pecková Černá (Czech Republic), John Freedman (USA – video contribution), John von Düffel (Germany – video contribution)

MENTORING IN WRITING FOR THEATRE: A MENTOR’S PERSPECTIVE 
15:30-16:10
Speakers: Peter Lomnický (Slovakia), Michal Buszewicz (Poland), Wolfram Lotz (Germany), Natalie Vorozhbyt (Ukraine), Liisi Aibel (Estonia), Kamila Polívková (Czech Republic), Peter Gonda (Slovakia/Czech Republic), Natálie Strýčková Preslová (Czech Republic)

MENTORING IN WRITING FOR THEATRE: AN AUTHOR’S PERSPECTIVE
16:10-16:40
Dagmar Fričová (CR), Oksana Grytsenko (Ukraine), Alžběta Vrzgula (Slovakia), Tomáš Ráliš (CR – video contribution)

WRITING FOR THEATRE: A TRANSLATOR’S PERSPECTIVE
16:40-17:00
Eva Daníčková (UK), Heather McGadie (UK), Ivan Lacko (Slovakia), Mirek Tomek (Czech Republic)

Conference moderators: Martina Pecková Černá, Dušan Poliščák

The conference will be held in English and will not be interpreted. For personal participation, advance reservation is required, the capacity of the hall is limited. You will receive a link to the stream after registration for the conference. 

Registration form: here

Rehearsed Readings

A studio Rubín, Malostranské nám. 9, 118 00 Praha 1

12. 11. 18:00

Oksana Grytsenko (UA): I wil Return, direction: Anna Turlo

Tomáš Ráliš (CZ): Compatible Parts / Slučitelné díly, direction: Lucie Ferenzová

Discussion with the authors and directors moderated by Natálie Strýčková Preslová

13. 11. 18:00

Dagmar Radová (CZ): Darlings / Miláčci, direction: Ondřej Štefaňák

Alžběta Vrzgula (SK): Happy End (Reconstruction) / Happy End (Rekonštrukcia), direction: Jan Frič

Discussion with the authors and directors moderated by Dušan Poliščák

All rehearsed reading will take place in Czech or in Ukrainian (in case of Oksana Grytsenko´s text) and will be surtitled into English.

 

The project is organized by: PerformCzech / International Cooperation Department, Arts and Theatre Institute

Co-organisers: A studio Rubín, Divadelný ústav Bratislava, National Union of Theatre Artists of Ukraine

We are grateful for the kind support: Czech Recovery Plan, Ministry of Culture of the Czech Republic and European Commission – NextGenerationEU

 


Alžběta Vrzgula
Happy End (Reconstruction)

On the eve of The Big Day. It’ll either be the start of a new chapter, or the end of the world. Nothing in between.
In the background of colliding worldviews, a wedding band plays all the pleasures that might be guilty but are also as accurate as the Oracle of Delphi. Feminism, Europe’s questionable humanism, or the search for positive masculinity – characters from ancient myth and 20th century pop culture are dropped hard, fast, and deep into these topics.
Do their archetypal narratives reflect of our own lives? Are we even aware of the myths that our society is based upon? Is it based on anything anymore? A remorseless musical comedy for audience members 15 and up who like to study their own identity, their place in relationships and the world.

Directing: Jan Frič
Acting: Mária Ševčíková (Siren), Nataša Bednářová (Antiopa), Jaro Viňarský (Cowboy) + Lucia Čižínská (from the recording)

 

Oksana Grytsenko
I Will Return

Sonia and Ania are two teenagers who meet in a summer camp in Crimea, where the Russian authorities bring Ukrainian children allegedly for a vacation but in fact for deportation. Friendly and open minded Sonia doesn’t have much in common with sociophobic Ania except for their resistance to the camp rules and determination to go back to the government-controlled part of Ukraine. But their way home will be marred by hard choices, bitter losses and multiple tests of their friendship.

Director: Anna Turlo
Acting: Christina Volovik (Sonia), Olesia Usata (Kostia), Anastasiia Kravchuk (Ania), Vira Timofeeva (Matrioshka )

 

Tomáš Ráliš
Compatible Parts

A young adult nightmare with a hint of true crime, where we reconstruct the demise of one friendship.
But for now, Savo is part of the gang.
A vocational school, an old grimy bus stop. A vocational school is still a school.
Savo is learning how to fix cars, work with parts, how to disassemble.
The dorm is a grey block, a pain in the ass, the ass of education. It’s quite the downer.
But you can have fun with your gang, right?
This ain’t no high school musical. This is a black metal requiem for all the students form the former Eastern Bloc who are destined to end up in the hands of the employment office and the loan sharks.
People have different ways of dealing with it. Booze, tobacco, junk, porn, booze, junk, junk, aggression, junk, compulsion, explosion, erection, eruption. The dorm. The dorm is a mum reeking of detergent.
There’s not really much else to do.
There’s not really anywhere to go.
But the luckier ones have the gang, like Savo. And with it come the cars, the rap, everything that just hurts so good, and helps break away the grey silence and unease.
But what if somebody were to break apart the gang?
What if somebody were about to break?

Directing: Lucie Ferenzová
Acting: Dan Kranich, Hynek Chmelař, Šimon Krupa, Marek Flutka, Lucie Roznětínská, Kateřina Bejčková

 

Dagmar Fričová
Darlings

A family. Mum, dad, son, daughter. The kids are all grown up, all the big goals – the family lineage, the upbringing, the practicalities of life – should be done now. But it looks like they’re not. Dad is sobbing on the couch. Mum is looking back at her life, wondering if it was really her who chose this existence. The daughter says she doesn’t wanna have kids and the son has a big secret. And to make matters worse, grandma and uncle are here. Just wonderful family fun. The proceedings are watched over by the portrait of “the nation’s daughter”, a 19th century woman whose fate was guided none other than the entire Czech nation. And sadly, that fate did not end too well. But what’s the link between “the nation’s daughter”, Zdeňka Havlíčková, and a modern family, where all the women are called Zdeňka? Isn’t that a bit too much for one family, one fate? All that’s left is a veritable earthquake. And it will come…
A play about the struggles of playing the roles we reject, the difficulty of avoiding other people’s expectations, and about the 19th century in all of us. Also about more than one daughter of a famous father, the nation’s daughter and the founding father, and about stories none can piece together anymore.

Directing: Ondrej Štefaňák
Acting: Jan Grundman (dad), Agáta Kryštůfková (daughter), Šimon Krupa (son), Nataša Bednářová (mum), Hynek Chmelař (grandma), Jakub Tvrdík (uncle), Johana Kolomazníková (Zdeňka)